Wednesday, April 29, 2015

Concluding Chapter


Throughout this course I have learned a lot of new things. In the beginning of the course we had to answer the question, what is photojournalism? My response to this was simple I stated that photojournalism is when you write a story and the photo adds to the story with deeper meanings. It also helps the readers understand what is going on the article. Now that this course is coming to an end, I have a similar definition of photojournalism but it is now more specific. Photojournalism is using photography to tell a story, lots of photojournalist has specific motivation to keep them doing their job, and coming up with creative ideas to better themselves.

I still agree with my earlier statement that having photos added to the writing provides the readers with visuals of what’s going on, but also add emotion so society can connect with them. I think it is very important for people to know the history behind photojournalism and the photographers because from what I learned, many of them have background stories that got them started, and helped them continue through their struggles and succeed and open doors for future photojournalist. Some big “ah-ha” moments throughout this course was when we were learning about the technology and the advancement of cameras. I was never really into that so I was impressed to see how photojournalist back then were able to have great photos with little to no technology, lots of trial and error for them during that growing process. When we were talking about images that show the truth verses the non truth, many images stood out to me. I posted in one of my blogs an example of a truth photo that represented what actually goes on during the war. That was powerful to me because it made me have a connection with the photo. It showed that the soldiers are strong, but they also build a bond with the other soldiers and help them out when they are wounded or killed. It not all serious business like people think.

For this module, I chose to appreciate photojournalist by taking pictures with an old Polaroid camera. This was interesting because I got my images printed right away from my camera. They would print and have to air out for the picture to come in fully. One downfall of using this was I was unable to zoom in get close to my subject without invading their personal space. Also this camera has no settings at all, I was unable to adjust my lighting, have the ability to take photos in black and white, work on my shallow dept of field, and I was unable to capture blur. Surprisingly I was able to capture freeze motion though. Taking photos with that type of camera were I was limited to do many things, I had to became creative and I feel that back when we only had basic cameras, being creative was the key to being a successful photojournalist. It also made me appreciate the advancement in technology today.


I do think that photos change the world. Many photojournalists focused on service photojournalism where they not only took photos for enjoyment, but also to get messages across the world for people to see. For example my classmate Heather did her photojournalist profile on Dorothea Lange, who took photos during the time of Depression. She wanted to show the world how people were suffering throughout the country. Another student that challenged the way I was thinking was Devonte’s photojournalist profile on Dith Pran. Pran had to struggle his way through life; nothing was given to him easy. He was held hostage and faced things people could not imagine. He then decided to dedicate his life to photography and help people see what is going on in the world, good or bad. Lastly, I looked through Steven who studied Robert Capa. He was an interesting photojournalist, because he not only photographed the war and the struggled they faced like other photojournalist. He also photographed humans and their experience they go through in their everyday lives.


















Photo by: Dorothea Lange


Photo by: Dith Pran


Photo by: Robert Capa

Photo by: Stephen Herz







Sunday, April 26, 2015

Photojournalist Profile




Photographic Style:  
White took a variety of photos throughout her career. One of the obvious principles she used was using photography in black in white. That was mainly her only option during her time of work. Within the black and white photos thought it showed depth and history. Her subjects always had a strong emotion in her photos. One of the photos I chose for this portion of the project is one of her most famous works of Gandhi and the steel mil. This photo became famous for her creativity and her risk taking abilities. Within the photos she uses the concept of having the main subject take up most of the photo. One key thing to remember when looking at Whites photos is that these principles did not really have these terms and their use, so it’s impressive that her photos even fall under some of these newer principles. Also while studying photography, she learned the concept of depth of field, and focusing the camera in and out. Lastly, she grasped the concept of rule of thirds well while taking photos during the wars she photographed for.

For my major at AIC:

I can relate to Margaret Bourke-White because I'am a communications major, and I want to do the public relations aspect which involves the marketing and advertising aspect of communications and that is what she started off doing so that was interesting to learn. Also whatever I plan on doing with communications, I know that I want to not only do it for me, but to help out others.

Viewpoints:

I think that yes, White's photos were viewed by many different people and they all had their on biases and opinions towards her work. She influenced many photojournalist, especially upcoming female photojournalist. I also think she challenged other photographers during her time to strive to be better. One thing is she not only did photography, she used to to show people the suffrage people were facing throughout the world.










References for journal entries:






Thursday, April 9, 2015

Chapter Nine




Motivations can be different for anyone, but mainly they are the things that “keep you going” and make your job interesting after many years of doing the same thing. For photojournalism it is cool because you never really photograph the same thing, its almost always different, which is a way that keeps them motivated.

One photojournalist I found was Phillip Jones Griffith. He started taking picture towards the end of the Vietnam War and the beginning of the Yon Kipper War. He states in an interview that he was motivated by his family to continue taking pictures, and by publicity he was receiving from his photos. Another thing is that during the time of the war that’s all people really talked about so they were interested in seeing up to date photos of what is going on. One obvious thing that kept him motivated was for the love of taking pictures, he loved what he did and wanted to succeed in it as well. Griffith states that “I absorb all the information I’ve seen previous photographers do, and wanted to be just as good as them, if not better.” Everyone always has a story behind why they choose photography and Kenyan photojournalist Felix Masi was being able to show people the suffrage he has gone through as a child and trying to relate it to the public, is almost like what Griffith did because he wanted to connect with the world on what goes on during the time people are at war.
Photo By: Graham Harrison



Photo by: Phillip Jones Griffith



Another photojournalist I found to be interesting is Lynsey Addario. As a photojournalist she mainly focused on human rights issues and women rights. She mainly covers photography in other countries involving the role of women in different societies. Her main motivation was the show that women deserve equal rights as men. In Lynn Johnson’s video she states “women have to fight harder to earn the respect of the public because there are more men in the photojournalism business.” Addario wants women to be known as photographers and that was she was known for taking risks and getting really creative photos.  Lynsey said the “One of my goals as a photographer is to motivate people to act behind the lens.” She is motivated by helping others, and I can relate to that because I choose to help people all the time when in need. One thing that is different about Addario is she started photography with no background knowledge; she did it purely to help people out and get out some issues that are in and around the world.

Photo by: Patricia Sheridian 

Photo by: Lynsey Addario


Lastly we have Stacy Pearsall. She grew up loving photography, but she also grew up in a family of military people. At age 17, she joined the United States Air Force and photographed the front line of combat. Stacy admits that as a female, the pressures to succeed were real and challenged her to deliver without fail. With this pressure it only motivated her more to succeed and prove people wrong. This I can agree to because when I see a struggle, I’m not afraid to ask for help and I also want to show people I have the fight in me to get things done. For my motivation I chose the word fight because I don’t like to give up, and I continue to have perseverance to strive to get better everyday. Through the ages of 21-27 Pearsall captured over 500,000 images across 41 different countries. She is the first woman ever to win the Military Photographer of the Year twice, “giving the boys a run for their money.

Pearsall was injured at battle and recovered in a hospital, and seeing all the wounded veterans injured she figured she would do what she loves and take their photos. This became a hit and she started taking photos of veterans at the hospital. She wanted to keep busy and show she is still apart of the military. She did this because it made her happy to do what she loves and it made other veterans feel good about themselves. She also does it so she can hear and share their stories with others who understand. Being able to make other people happy while doing something you love is key motivation to success.

For this assignment when I was choosing my photojournalist, I did not realize how many things in common I was going to have with them. Many of the photojournalist do their job because they love it. Its never really the same thing, but yet they still have this same drive and desire to do it. In common all three of my photojournalist used photography to help others, if it meant by getting a message out there, standing up for their rights, or just to get other peoples stories out in the open for people to hear. Helping others is great motivation because it not only benefits you; it’s benefiting someone else. The fight and desire to do what you love is a great thing to have because it keeps you going.

Photo By:Chris Sims


Photo By: Stacy Pearsall